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Review: Plácido Domingo is Like a Fine Wine at 78 in LA Opera’s ‘El Gato Montés’

Arts Imaan Jalali Imaan Jalali -
Plácido Domingo has worn many hats in the opera scene. He has conducted and been the general and artistic director of several companies, including...

The Benevolent Emperor Reigns Splendidly in LA Opera’s ‘The Clemency of Titus’

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The LA Opera’s dedication to bringing operatic splendor to the Dorothy Chandler Pavilion stage continues with the Los Angeles debut of Wolfgang Amadeus Mozart’s...

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Reimagining ‘Flower Drum Song’ at Aratani Theatre: A Chat with East West Players’ Emily Kuroda

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East West Players closes its 60th Anniversary Diamond Legacy...

Review: ‘Clara vs. Infinity’ Signals a Bold New Voice in L.A. Theater

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At a time when so much of the theatrical...

Preview: Craig Colclough Brings Comic Swagger to Verdi’s ‘Falstaff’ at LA Opera

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Giuseppe Verdi’s Falstaff returns to the Dorothy Chandler Pavilion...

Knott’s Boysenberry Festival Wraps with Flavor as Summer’s Next Chapter Calls

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If there’s one thing Knott’s Berry Farm understands better...

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‘Brigadoon’ Transformed at Pasadena Playhouse — Donna Vivino Discusses the Bold New Adaptation

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Only a select group of musicals carry the enduring...

Reimagining ‘Flower Drum Song’ at Aratani Theatre: A Chat with East West Players’ Emily Kuroda

Arts 1
East West Players closes its 60th Anniversary Diamond Legacy...

Review: ‘Clara vs. Infinity’ Signals a Bold New Voice in L.A. Theater

Arts 0
At a time when so much of the theatrical...

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